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The Most Unique is the Most Universal

posted Aug 3, 2010, 10:05 AM by Sarat Kumar Sarvepalli   [ updated Oct 10, 2011, 11:03 AM ]
 
 
Days ago I was talking with a friend about this blog. This guy is very sharp-minded and he is always looking north and west, ie always relating to Northern Europeans and to the USA while his attitude towards other regions of the world is not very open-minded in my view, to say the least.

I told him I of course liked the West too but my blog having like a will of its own it kind of brought me to the Far East and to an intense dialogue with the Indians and a few Chinese.

He said: “How can you connect to your Roman roots while interacting all the time with the Indians & the Chinese, with folks so different from the Romans, the Italians and the Europeans? It is a contradictory behaviour.”

I tried to explain that if I am able to rediscover my heritage I am also able to bring a contribution to others who are diverse. I also said this process is two-ways, ie the same thing can happen at the other side of the dialogue.

He didn’t sound very convinced.

So I remembered a passage by a big Indian thinker. I wonder if this quote can help me to explain things a little further.
 
Sarvepalli Radhakrishnan, an Indian philosopher and statesman, argued in Living with a Purpose (Orient Paperbacks, New Delhi, 1976, p. 9-10):

“Great classics of literature spring from profound depths in human experience. They come to us who live centuries later in vastly different conditions as the voice of our own experience. They release echoes within ourselves of what we never suspected was there.
The deeper one goes into one’s own experience, facing destiny, fighting fate, or enjoying love, the more does one’s experience have in common with the experiences of others in climes and ages.

**The most unique is the most universal.**

The dialogues of Buddha or of Plato, the dramas of Sophocles, the plays of Shakespeare are both national and universal. The more profoundly they are rooted in historical traditions, the more uniquely do they know themselves and elicit powerful responses from others. There is a timeless and spaceless quality about great classics.”

“Kalidasa is the great representative of India’s spirit, grace and genius. The Indian national conciousness is the base from which his works grow. Kalidasa has absorbed India’s cultural heritage, made it his own, enriched it, given it universal scope and significance. Its spiritual directions, its political forms and economic arrangements, all find utterance in fresh, vital, shining phrases.

We find in his works at their best, simple dignity of language, precision of phrase, classical taste, cultivated judgement, intense poetic sensibility and fusion of thought and feeling …. his works belong to the literature of the world. Humanity recognizes itself in them though they deal with Indian themes. In India Kalidasa is recognized as the greatest poet and dramatist in Sanskrit literature … Tradition associates Kalidasa with King Vikramaditya of Ujjayini who founded the Vikrama era of 57 B.C.”

[all font emphasis is from MoR, not from the original text]

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